PROTECTRESS on sale at Smashwords!

You can get the epub edition of PROTECTRESS at Smashwords for just $1.49 from now until January 1, 2025. Visit https://www.smashwords.com/books/view/1181759 and apply the coupon!

PROTECTRESS, a novella in verse, is a modern-day sequel to the Medusa myth, in which Medusa and her sisters have lived into the present and must contend with Athena, who, raised in the toxic masculinity of Olympus, is trying to slut-shame and victim-blame Medusa for having been raped by Poseidon in Athena’s temple. But the gorgons aren’t having any of it, and they’re not alone–a host of women from Greek myth come to their aid. There’s also a very good boi dragon, Ladon.

Here’s a sample. The gorgons have left their everyday lives in the US and France and returned to their original home, a sea-cave in Greece. They’re trying to figure out how to stop Athena’s campaign against Medusa, which includes trying to drive Medusa mad. They realize they can’t do it alone, so they’ve invited friends to a brainstorming party. Here’s everyone arriving to the party.

Three sisters arrive first,
these oft-tricked by hubristic men,
daughters of Nyx who give off,
paradoxically and resplendently,
great banners of light.
The Hesperides are glad to leave
their little garden, where they must
spend their days tending
apples of immortality,
playing with an easily-bored
dragon, and currying favor with
Hera.

Indeed, Hera accompanies them,
followed by the puppy-like
Ladon, who cavorts
and tumbles and leans on
everyone’s legs, begging for
attention and petting behind his
great floppy scaly ears.

I thought you were running
some kind of
hearth-home
bullshit group,
Hera,
says Euryale.
The goddess sighs
deeply and
the corner of her mouth
twitches
unhappily.
I changed my mind,
she says.
The nymphs invited me,
I can go if you don’t—
no, says Euryale, but
what are you doing here,
now?

I—
she closes her eyes
and puts up her hands
defensively—
I do other things,
now. I—
I teach self-defense
and anti-harassment training
and—

Hera! says Stheno
putting her arm around the
shorter woman.
Euryale,
did you know that Hera’s
foundation paid for
the processing of six thousand rape kits
last year?

A round-faced woman
pops up on the other side of Hera.
Io! says Stheno,
I heard you two were working together,
waggling her fingers at the two women:
Zeus be damned, am I right?

Euryale’s eyebrows assume heights
unknown to mortals
and her beautiful mouth
falls ever so slightly
open.

Let me get you some drinks,
says Stheno, who has already had
a few herself, relaxing
and not having to be forgettable
for the first time in many years.
More trios and triads arrive:
Thriae, Naxians, Mysians,
Asterionides.

Quartets and quintets
and solo travelers:
hamadryads and naiads,
happy maenads bringing
boxes of wine and
skins of ouzo.

Ladon is the favored guest
until at last he stretches out,
scales on stone,
and sleeps, his long
whiskers gently rising
and settling like the sun.

My Skin: A Selkie’s Story

Composer Angela Elizabeth Slater is well-known in the UK as the founder and director of Illuminate Women’s Music, which commissions and performs music by women all over the country. This winter, Illuminate Scotland is bringing works by Marie Dare, Hildegard von Bingen, Babara Strozzi, Emily Doolittle, and Gemma McGregor, plus new commissions by Sonia Allori, Simone Seales, Kate Sagovsky and composers in residence Ruta Vitkauskaite and Angela Elizabeth Slater to Glasgow, Aberdeen, Dundee, Kinlochard, and Edinburgh. All of the concerts feature Illuminate artists in residence soprano Stephanie Lamprea and cellist Jessica Kerr. Stephanie and Jessica are amazing new music performers and I am honored to have them playing a piece I’ve contributed to!

Angela and I have collaborated on a topic we both love–the legend of the selkies. The selkie is a being from Scottish and Irish folklore that can shapeshift between seal and human forms. While there are stories about love between humans and selkies (the 2014 film Song of the Sea is one example), many selkie stories—including the one we tell—focus on what happens when a man steals a selkie’s sealskin in order to trap her in bondage to him. Recent literature about selkies includes A Sweet Sting of Salt by Rose Sutherland, which I reviewed here; Seanan McGuire‘s October Daye series; and Nicole Peeler‘s Jane True series.

A wicker statue of a selkie, shown as a woman with a seal's tail, stands in a green field.
Willow selkie sculpture as Culzean Castle, South Ayrshire, Scotland, by David Powell. Photo by Billy McCrorie, licensed under the Creative Commons Attribution-Share Alike 2.0 Generic license. 

You can hear Angela’s and my new song, “My Skin” being workshopped on December 11, at 1 pm GMT (8 am Eastern) at https://www.youtube.com/live/Xm_J_jYfTTc?si=Ve3_-exvUywCAUC8. Here’s my text:

Where is my skin?
Where does it dry and crack,
you coward?

I am born of the tides,
seal—girl, girl—seal, seal and girl and girl-seal.
I swim, I gleam beneath the auroras
until the day he comes and 
my kin scatter, tiny suns under the water
and he comes and takes my skin.

I ask, I plead, I beguile
in desperation as hot as a star:
where is my skin?

Without it, I am just half—
a selkie, raw and rent down the middle.
Human man, where do you hide my skin?

He cuts away the finger-webs
of the children that I bear,
and when my sister Flora comes,
he slays her at the door.

But Flora’s death gives me a gift,
for with her skin I make coats for my daughters—
my girls, who hear me nightly ask,
where is my skin?—
and find it themselves in the floor of the shed—
my skin, the saving of me.

Tonight we escape.

Kirsty as lookout,
Maggie brings her gun,
Grace drives.
Together we go to the shore.
I dress my daughters in my sister’s hide,
above the moon welcomes me home to the sea.
The women’s eyes 
suddenly rich with salt.

In our dappled coats, 
my seal-girls, girl-seals and I slide
into the water’s loving rocking,
and swim and swim until we become the sun.

Best Books of 2024 (from my reviews)

5/5 Books read in 2024 (alphabetical by author)

The Masquerades of Spring by Ben Aaronovitch

There’s Always This Year by Hanif Abdurraqib

An Intrigue of Witches by Esme Addison

Smothermoss by Alisa Alering

The Moon That Turns You Back by Hala Alyan

Nightbirds and Fyrebirds by Kate J. Armstrong

The Butterfly Disjunct by Stewart C Baker

The Dangerous Ones by Lauren Blackwood

A Northern Light in Provence by Elizabeth Birkelund

The Cautious Traveller’s Guide to the Wastelands by Sarah Brooks

Fathomfolk by Eliza Chan

Egyptian Made by Leslie T. Chang

Of Jade and Dragons by Amber Chen

Ocean’s Godori by Elaine U. Cho

The Jaguar Mask by Michael J. DeLuca

Shakespeare: The Man Who Pays the Rent by Judi Dench; Brendan O’Hea

When The Night Agrees To Speak To Me by Ananda Devi (Author), Kazim Ali (Translator)

Baying the Moon by Jennifer R. Donohue

Strange Folk by Alli Dyer

A Sunny Place for Shady People by Mariana Enriquez

Emily Wilde’s Compendium of Lost Tales by Heather Fawcett

Isola by Allegra Goodman

The Housekeeper’s Secret by Iona Grey

No Charity in the Wilderness by Shaun T. Griffin

Rebel Girl by Kathleen Hanna

The Other Ones by Fran Hart

Our Evenings by Alan Hollinghurst

Wild by Amy Jeffs

Splinter and Shard by Lulu Keating

The God and the Gumiho by Sophie Kim

A Sorceress Comes to Call by T. Kingfisher

The Haunting of Velkwood by Gwendolyn Kiste

The Forbidden by Sacha Lamb

Moonstorm by Yoon Ha Lee

Yoke of Stars: A Birdverse Book by R. B. Lemberg

Sheine Lende by written by Darcie Little Badger, illustrated by Rovina Cai

Eynhallow by Tim McGregor

These Vengeful Wishes by Vanessa Montalban

The Lover by Silvia Moreno-Garcia

Fifty Beasts to Break Your Heart by GennaRose Nethercott

Buried Deep and Other Stories by Naomi Novik

The Road to the Country by Chigozie Obioma

Wandering Stars by Tommy Orange

Lies on the Serpent’s Tongue by Kate Pearsall

The Universe in Verse by Maria Popova

The Mistletoe Mystery by Nita Prose

Medea by Eilish Quin

The Devil by Name by Keith Rosson

Songs of an Eastern Humanist by Edward W. Said

The Lost Story by Meg Shaffer

Women in the Valley of the Kings by Kathleen Sheppard

Rules for Ghosting by Shelly Jay Shore

We Shall Be Monsters by Tara Sim

Dust by Alison Stine

The Swans of Harlem by Karen Valby

Shelterwood by Lisa Wingate

Someone You Can Build a Nest In by John Wiswell

Haunted by Myth by Barbara Ann Wright

Thirst by Marina Yuszczuk

4/5 books read in 2024 (no particular order)

Jimi Hendrix Live in Lviv by Andrey Kurkov

The Witch of Tophet County by J. H. Schiller

The Briar Book of the Dead by A. G. Slatter

Small Gods of Calamity by Sam Kyung Yoo

She Who Knows by Nnedi Okorafor

The Girl in the Bog by Keith Donohue

Kill Her Twice by Stacey Lee

The Lost Memories by Lorna Cook

The Lost Boy of Santa Chionia by Juliet Grames

Annie LeBlanc Is Not Dead Yet by Molly Morris

The Safekeep by Yael van der Wouden

The Talented Mrs. Mandelbaum by Margalit Fox

Not Coming Out

Listen to Your Sister by Neena Viel

The Antidote by Karen Russell

The Spirit Collection of Thorne Hall by J. Ann Thomas

Candle & Crow by Kevin Hearne

The Witch’s Door by Ryan Matthew Cohn; Regina M. Rossi

For She Is Wrath by Emily Varga

The Lies We Conjure by Sarah Henning

Sacrificial Animals by Kailee Pedersen

This Will Be Fun by E. B. Asher